B / 劇作上或許是是枝裕和將戲劇性橋段與生活細(xì)節(jié)融合得最好的一部結(jié)尾的蒙太奇與吶喊便可窺見一斑孩童視角為先是最重要的成功因素愛情呼叫轉(zhuǎn)移2下載同時大量手持以及其他不同運(yùn)動鏡頭紀(jì)錄式片段的插入讓影像的靈動感更上一層毫無造作剩下的不滿大概只能歸結(jié)于自己和“常態(tài)下的是枝裕和八字不合
趙總不說氣話:36.57.35.55
一首有起有伏張弛有度的愛情詩I have noted that when she does arrive, my heart is like a leaf borne over a rock by rapidly moving water./When she left, I was like a skiff at sea with neither a hand nor helm to guide it./We hold our friendship between us and study it, as if it were the incomplete map of our escape.