不一定有原因東北往事第二季沒有海鷗的特里波列夫一樣會(huì)使槍最后還是流淚了但看哭了無法成為一條好標(biāo)準(zhǔn)觀感甚至可以說是震驚到失望但絕不是跟前作相比的落差因?yàn)榍白鞯闹饕谠趧”纠锝⒘?劇作家轉(zhuǎn)換導(dǎo)演身份后只是如實(shí)地視覺化了而這次他也堪稱偷懶地還原了劇本(除了視覺化了霍普金斯)真的就只是停留在了青少年抑郁癥如果沒有布圖索夫《金子的視頻親切的金子》“前傳般的戲劇版在前落差或許也不會(huì)這么大舞臺(tái)上看到的是一個(gè)高齡的兒子和年輕的家長們東北往事第二季沒有囿于不幸婚姻給下一代的傷害更多是to be or not to be他一定深入思考過才能對巨嬰家長們發(fā)出冷笑才能果決地選擇結(jié)束而銀幕上當(dāng)然家庭倫理框架內(nèi)也是一出合格的小戲但就只是純良少年的淚水鑿穿了父母的心
Your typical nice looking, heart warming A24 flickunrealistically precocious kid paired with confused middle-aged man and through turbulence and conflicts they gradually learn from each other and cherish the experience forever --- I have seen this one many times before. The it's okay to yell, and then yelling out loud scene in particular is soooo much of a cliche. Cinematography is alright but not really impressive, watching this back to back with Red Rocket the difference is so obvious (ok B&W is at disadvantage but still).The interview bits aren't integrated organically into the story, and it feels like the feel-good, heartfelt material got mixed in just for audience appeal.