郁庭川和宋傾城沙發(fā)的艾米莉沃森黑暗中的舞者比約克二者何其相似在一個人性泯滅與世隔絕的小鎮(zhèn)上在一個禁止女人發(fā)聲的教堂里被神“遺棄的女人將信仰訴諸所愛愛者終將得救自我卻要粉身碎骨天堂鐘聲是神來之筆想必馮提爾不僅是用Life on Mars當配樂更從中汲取了不少靈感
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I will immerse myself. And as I do, I will slowly shut down my higher brain functions, unmaking myself, leaving just enough to appreciate my surroundings to extract some simple pleasure from the execution of a task well done. My search for truth is finished at last.