【東北往事第二季】反戰(zhàn)不必多說重點在于Satoko在特殊時代下卻擁有其主體性而究其蛻變來源基于觀看的動作:舞臺感自然是強調(diào)“演繹的刻意為之光影成為重要的心理敘寫機制順滑運動與豐富細節(jié)同那段“戲中戲形成對比:我們觀看他人隱匿于黑暗之中的觀看這也得已解釋為何她最終仍是一個“Wife of a Spy的“方法派演員女性的時代之殤和關(guān)于目光的強力隱喻-觸碰銀幕
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miserable is something you let it pass,not something you pass it to your children. no matter how much you hate your parents , you'll become them eventually. there is no getting away