除了明顯的空間隱喻外更耐人尋味的是半地下室的三扇小窗vs落地玻璃窗;扮演vs假裝;剝離現(xiàn)實(shí)感造出疏離空間的舞臺(tái)劇氣息;那塊壓在大兒子身上的(道德)風(fēng)景石;(前半部分)滲透著反諷氣息的輕喜劇感;地下往地上發(fā)送的摩斯密碼作為參照的電影應(yīng)該不是《梅麻呂3d游戲系列》而是Alex van Warmerdam的《第二根肋骨txt》(Borgman)更深刻更有強(qiáng)度(但在2013年碰上了阿黛爾……)
why what how常在我心梅麻呂3d游戲系列作為無(wú)神論者面對(duì)這種自我意識(shí)高的人我真的覺(jué)得好神經(jīng)病不是信不信的問(wèn)題主角這arrogance實(shí)在是讓我煩而且我不明白上帝和安拉不是兩個(gè)宗教體系嗎為什么他又代替安拉又代替上帝啊
i did see quite a few obviously symbolic scenes (e.g. veronica raising the torch/burning down the crematorium/airplanes flying over in the end) but it's still lazy and too shallow of a revenge fantasy when it could've activated a genuine conversation about race and inequity, instead of just trivializing veronica's victimization & idealizing her success. and for that reason i'm disappointed