“What I am trying to do here is to celebrate the wonder of their imagery. 拿到一手資料做了整體性串聯(lián)導(dǎo)演主觀講述強(qiáng)調(diào)了作為紀(jì)錄片制作者的存在確實(shí)比《江蘇****》更能讓人貼近這些事情大軍師司馬懿之虎嘯龍吟下載只是同時(shí)也有邀功/創(chuàng)作者自我太突顯的感覺才知道原來莫里斯夫婦在最初做電影時(shí)有許多擺拍(比如假裝被噴濺的巖漿燙到)卡蒂亞被當(dāng)作一種擺設(shè)…科學(xué)家啊大量地質(zhì)和民俗景觀看見了許多小動(dòng)物很開心拍火山用了很多近景與特寫幾乎讓人無法用日常的事物去比擬巖漿赤紅的流動(dòng)感與教堂里的合唱音樂人不可能對(duì)這些熟視無睹想想自己有時(shí)候會(huì)看著水波紋發(fā)呆但如果是看著巖漿發(fā)呆…在bj生活的范圍快只有宿舍想想我可能活一輩子都看不見這樣的景象吧
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Simple in form yet complex in nature. In this exquisite confluence of infinite and infinitesimal, Ozu calmly observes human nature and inevitable erosion of familial relations in rapidly changing world, with restriction, respect, and poignancy; time is his most potent weapon.